Sunday, 22 August 2010

Everything You Need to Know About Guitar Strings

If you're only just starting out on the guitar, you may never have needed to buy new strings just yet let alone come across the term "gauge", so it's easy to be a little confused when you first hear the word.



Basically, guitar string gauges are usually described by their thickness to a thousandth of an inch. The majority of guitarists use either 9's or 10's. What these means is, the thin E string on their guitar is either 9 thousandths or 10 thousandths of an inch thick.



If you're a beginner then you might be best to use 9's to start with, a good set of these are the Ernie Ball Regular Slinky or Rotosound Yellows.



Generally, heavier strings give a richer and more full sound, however are also harder on the fingers and can be quite difficult to play when trying to bend notes. Lighter strings, such as 9's are easier on the fingers, especially when bending or sliding notes, however they do sometimes break a little easier.



Some packs of strings even mix and match gauges. Most major string brands have a range that allows you to match the top and bottom strings to suit your style... so if you like to easily bend your high strings when playing lead but pound the bottom strings when playing rhythm then you can chose a suitable combination.



Just for reference here is a list of all the string gauges offered by Ernie Ball (probably the most well known string company)



2215 - Skinny Top Heavy Bottom 10, 13, 17, 30, 42, 52

2220 - Power Slinky 11, 14, 18p, 28, 38, 48

2221 - Regular Slinky 10, 13, 17, 26, 36, 46

2222 - Hybrid Slinky 09, 11, 16, 26, 36, 46

2223 - Super Slinky 09, 11, 16, 24w, 32, 42 - Recommended for beginners

2225 - Extra Slinky 08, 11, 14, 22w, 30, 38

2626 - Not Even Slinky 12, 16, 24p, 32, 44, 56

2627 - Beefy Slinky 11, 15, 22p, 30, 42, 54



You may wonder what the "w" and "p" mean on some of the above string gauges.

"P" stands for plain, which means the string is basically just a straight piece of wire. Whereas, "W" are strings which are wound, which means there is a thin bit of wire in the middle tightly wound with a wrapping of even thinner wire to make up the total thickness of the string.



In most cases the first and second strings with be "plain", whereas the 3rd to 6th strings will be "wound". Whenever this is not the case, then it is stated by adding either a "p" or "w" after the string gauge.



How often you change your strings basically depends on how often you play and what type of strings you use.



If you are new the guitar and find yourself playing quite a bit each day then it might be best to change your strings once every 4 - 6 weeks. The reason for this is that overtime when playing the guitar the strings become greasy and dirty which makes them lose their tone, and can sometimes go rusty and snap.



There are a few basic ways in which you can extend the life of your strings. This is as simple as:



* Washing your hands before you play the guitar

* Wipe your strings with a cloth or string cleaning product after playing to remove any sweat or grease. GHS Fast Fret String Cleaner is a great product to use on your strings and will keep them clean and sounding crisp for longer.



What Are The Signs That I Need To Change My Strings?



* Sound - When you play a guitar with new strings you will hear a very bright and crisp sound, even when the guitar is not amplified. Overtime, this will begin to fade and the strings can sound very dull. If you like that initial crispness when you play new strings then you might consider replacing them.



* Dirt and Grease - When you begin to feel a build up on the strings when you play them it's a definite sign that need changing. From frequent playing, the strings with gather sweat and oil from your fingers. If you don't clean the strings then this will build up and will make the strings feel harsh on your fingers and also lose sound quality.



* Broken Strings - This might sound like a no brainer, but I'm not just talking about replacing the broken string. When you break a string, it's often because it is dirty or gotten a little rusty. If a string breaks for this reason then its most likely the other strings are in the same condition too. Rather than just replacing the one broken string it's a good idea to replace the entire set.



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Tuesday, 17 August 2010

Ronnie James Dio - The King of Rock and Roll (RIP)

Ronnie James Dio, born Ronald James Padavona in Portsmouth, New Hampshire finally lost his battle against stomach cancer and passed away at 7.45am on 16th May 2010.



Widely regarded as being the greatest rock vocalist of all time, Dio had the prestige of having fronted three different rock bands, propelling all three to international stardom.



From relatively humble beginnings with the Vegas Kings in 1957, Ronnie eventually put together the band Elf.



Roger Glover, following his departure from Deep Purple in 1973, produced Elf and during this time, Roger was commissioned by the BBC to write the fantasy story The Butterfly Ball. Each song on the Butterfly Ball was either themed or was sung by a highly regarded vocalist as a character within the story. The album contained many en-vogue musicians of the time, namely David Coverdale, Glenn Hughes to name a few. Roger asked Ronnie if he would like to contribute and he ended up writing and singing on three tracks, one being the title track Love Is All. The title track went on to chart well in the UK and provided Dio with great exposure.



One of those to take notice of the rising star was none other than Richie Blackmore, at that time ex-guitarist of Deep Purple.



On hearing Elf play, Richie effectively walked into Elf, disposed of the guitar player and renamed the band Rainbow.



Their first album, Richie Blackmore's Rainbow from 1975 was released to critical acclaim and contained tracks ranging from great melodic rock to the classic medieval tunes currently being produced by Blackmore's Knight.



The second album, Rainbow Rising, has gone down in rock history and should have a place in every rock lover's CD collection. The same can equally be said for Rainbow's follow-up album, Long Live Rock and Roll.



In between Rising and LLR&R, Rainbow released their seminal live opus, Rainbow Live On Stage, an album that still to this day graces my speakers.



Following Long Live Rock and Roll, Blackmore decided to explore a more commercial direction which did not suit Dio's vocals and a parting of the ways ensued.



Simultaneously, Black Sabbath had just sacked long time vocalist Ozzy Osbourne. Controversially, Sabbath appointed Dio to their ranks in 1979. The first Dio inspired album was the all time classic Heaven and Hell which catapulted Black Sabbath from the first division to the premier league, thus confounding the doubters and confirming that Sabbath had pulled off a masterstroke in employing the diminutive American.



The equally inspiring follow-ups Mob Rules and Live Evil further emphasised Dio's reputation as the master of his trade.



However, personality conflicts within Sabbath led to Dio leaving in 1982 and he eventually formed a band under his own name, Dio.



The band Dio entered the ranks of the immortals with their first album, Holy Diver, classic tracks from start to finish. The follow-up, Last In Line continued the theme as did subsequent albums over the next few years.



In 1994, Dio briefly reunited with Black Sabbath to release the album DeHumanizer, in my opinion one of the greatest of all Sabbath albums. In order to perpetuate the return of Ozzy Osbourne to the fold, Dio left Sabbath and resumed his solo career, touring relentlessly and always giving 100%.



In 2006, Dio again joined Black Sabbath who had reformed under the moniker of Heaven and Hell in order to not offend Ozzy and stave off a potential lawsuit. H&H toured the world and released a new album



A UK tour by Dio was cancelled towards the end of 2009 and it was officially announced on 25th November 2009 that Ronnie was suffering from stomach cancer. Although there had been hope after tests showed a reduction in the size of the tumour following treatment, the subsequent Heaven and Hell summer headline tour was also cancelled.



Dio's wife Wendy, posted a message on their website saying "Today my heart is broken, Ronnie passed away at 7.45am 16th May,"



The world of rock music will never be the same without Ronnie James Dio. The author had the pleasure of seeing Dio perform on many occasions both as the band Dio from the Holy Diver days through to his appearances with Heaven and Hell (Black Sabbath).



It is hoped that Dio will be suitably honoured for his dedication and consistent performances in a career spanning over 50 years. He was a true performer, an ambassador to the world of music and may his majesty live on forever with those who took inspiration from him. Ronnie James Dio The King of Rock and Roll.



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Sunday, 15 August 2010

Guitar Chords That Will Get You Playing Songs Fast

Learning some of the basic guitar chords as soon as you start learning how to play the guitar is so valuable because it builds a strong foundation. Also, when you learn a few chords and piece them together, you will be able to figure out which chord combinations sound great together and make up your own songs. You will enjoy learning guitar a lot more if you can at least play one of your own tunes and this will keep your momentum going. You would be amazed how many people can play bits and pieces but can't play a whole song.



And even more important, you will be able to choose from thousands of other people's songs that use the same chords.



The best thing is that they really aren't that hard to learn... you just have to practice!



These chords are also called open-position chords and are used in many types of music such as rock, country, folk and heavy metal. Yes that's right, even heavy metal. The big differences in these types of music are the effects that are used and the strumming.



Here are the Top 7 Basic Chords to Get You Playing Fast:



O = play string



X = don't play string



1. A Major



O |-----|-----|-----|---



O |-----|--x--|-----|---



O |-----|--x--|-----|---



O |-----|--x--|-----|---



O |-----|-----|-----|---



X |-----|-----|-----|---



2. D Major



O |-----|--x--|-----|---



O |-----|-----|--x--|---



O |-----|--x--|-----|---



O |-----|-----|-----|---



X |-----|-----|-----|---



X |-----|-----|-----|---



3. E Major



O |-----|-----|-----|---



O |-----|-----|-----|---



O |--x--|-----|-----|---



O |-----|--x--|-----|---



O |-----|--x--|-----|---



O |-----|-----|-----|---



4. G Major



O |-----|-----|--x--|---



O |-----|-----|-----|---



O |-----|-----|-----|---



O |-----|-----|-----|---



O |-----|--x--|-----|---



O |-----|-----|--x--|---



5. C Major



O |-----|-----|-----|---



O |--x--|-----|-----|---



O |-----|-----|-----|---



O |-----|--x--|-----|---



O |-----|-----|--x--|---



X |-----|-----|-----|---



6. E Minor



O |-----|-----|-----|---



O |-----|-----|-----|---



O |-----|-----|-----|---



O |-----|--x--|-----|---



O |-----|--x--|-----|---



O |-----|-----|-----|---



7. A Minor



O |-----|-----|-----|---



O |--x--|-----|-----|---



O |-----|--x--|-----|---



O |-----|--x--|-----|---



O |-----|-----|-----|---



X |-----|-----|-----|---



These 7 basic guitar chords are more than enough to get you going and you'll be playing your favorites in no time. Once you memorize all these chords, listen to some songs that you would like to play and try to figure them out on your own. This is a great way to train your ear!



Saturday, 14 August 2010

A Beginner's Guide to Recording Guitar

Some people could find the prospect of recording an electric guitar quite daunting, but musicians and engineers in fact have many options open to them.



For instance, they can use plug-in computer software, using physical modeling pre-amps or miking up valve amplifiers. Indeed, the number of choices is limitless and a person's chosen set-up is largely dependent on personal taste.



Miking up a valve amp is one of the most popular methods of recording an electric guitar, as it gives a much truer sound than amp modeling hardware or software. Where you site your mic in relationship to the speaker is a matter of personal choice, as is what type of mic you want to use.



This is important as there are many different models on the market, such as cardioid or dynamic mics, both of which give a full tone with smooth high end. By contract, capacitor mics are very good for those who want a brighter tone.



Any decisions on recording set-ups may also be influenced by what type of guitar amp you are using. For instance, a mic would need to be positioned several feet away from a stack of cabinets to make sure that elements of each unit are picked up. Alternatively, people with open back cabs could choose to put the mic at the rear of the unit.



These will then run into your soundcard, which typically runs into a computer via firewire or USB. The sound can then be recorded onto your digital audio workstation, such as Cubase or Cakewalk.



However, some people who are recording electric guitars favour physical modeling pre-amps, such as a Line 6 Pod X3 Pro.



These can be used both on stage and in the studio and include various options such as changing cabs or microphone distance. Alternatively, they can be used to emulate stomp boxes and numerous studio effects. These are very easy to edit and good for helping people achieve the perfect guitar tone. This can then be plugged straight into a soundcard, which will then run into your computer.



However, it is worth noting at this point that some microphones will require phantom power, so you should check this out before purchasing a microphone or soundcard, depending on your requirements.



Electric guitar players also sometimes use plugs-in such as a Fender Amplitube. This allows people to manipulate a dry guitar signal that has already been stored on a digital audio workstation. Musicians have the option of changing and editing the settings as they please even after the recording has been completed.



So ultimately, there is a great deal of personal choice available to musicians and engineers. There is no right or wrong way to use this equipment and you have total freedom to do whatever you wish. Indeed, you could even mix and match elements of each and blend the results together. Experiment with each option and you will soon find out what suits you best.



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Friday, 13 August 2010

History Of The Jackson Guitar

The Company by the name of Charvel Guitar Repair made the first Jackson guitar for Randy Rhoads of Ozzy Osbourne and Quiet Riot fame. Grover Jackson and Wayne Charvel were partners of the company with Charvel having his name on the guitars. On November 10th 1978, Jackson bought out his partner and took control of the company.


A couple of years later in 1980, Grover Jackson and Randy Rhoads got together and began working on the first "Rhoads" guitar. Grover Jackson decided to put his own name on Randy's guitar because he thought it looked too shocking for regular Charvel customers. All the guitars that were made with the company up to this point had the Charvel name on the headstock of the guitar and their designs were almost identical to the Fender Strat.


Speaking of headstocks, the Jackson headstock is very similar to the Gibson Explorer's droopy designed headstock in shape except the Jackson is pointier at the end of it. Other models of the Jackson also had this same pointy style with the difference being that the tip of the headstock points up instead of down. The Jackson guitar is also known for the shark fin design of their fret inlays.


From 1979 all the way to 1986, their factory was located in San Dimas, California before moving to Ontario, California.


In the 80's and the first part of the 90's, Jackson guitars were very popular with the Heavy Metal and Thrash genres of music. The design of the Jackson guitar is sleek and stylish and fit the guitarists of that era perfectly. Artists such as Phil Collen and Rick Savage (Def Leppard), Vinnie Vincent (Kiss), Dave Mustaine (Megadeth), Randy Rhoads (Ozzy Osbourne, Quiet Riot) and Robbin Crosby (Ratt) to name a few.


In 2002, the Jackson and Charvel Guitar Company were bought by Fender Guitars and moved to a factory in Corona, California. This caused some bad feelings for quite a few of the loyal Jackson guitar players and a lot of the artists that promoted their guitars in the 80's and 90's jumped ship and went on to endorse other guitar manufacturers.


Today the Jackson guitar is still very popular, especially in the Heavy Metal genre. There are still a lot of talented guitarists who perform with Jackson guitars because of their great quality and cool design. Some of the more recent Jackson users are Matt Tuck (Bullet For My Valentine), Frank Aresti (Fates Warning and Dark Day Sunday), Metal Mike Chlasciak (Halford, Sebastian Bach and Painmuseum), Chris Beattie (Hatebreed), John Campbell and Mark Morton (Lamb Of God), Phil Demmel (Machine Head and Vio-lence), Zakk Wylde (Ozzy Osbourne and Black Label Society), Derrick Green (Sepultura), James Root (Slipknot and Stone Sour) and Serj Tankian (System of a Down).



History Of The Taylor Guitar

The story of the Taylor guitar starts off in 1973 when 20-year-old Kurt Listug talked Sam Radding, owner of the American Dream guitar shop in Lemon Grove California, into hiring him. After awhile, a workbench opened for Kurt and he got a chance to do some finishing work on guitars.


A couple of weeks later a man by the name of BobTaylor also got a workbench job at the shop. Bob, who was 18 years old at the time, was hired because Sam saw some talent in him when he sold some guitars to Sam that he had made himself.


Listug and Taylor worked together for the first year building a few guitars but mostly just doing repairs.


In 1974 Radding decided to sell his shop and Listug and a co-worker by the name of Steve Schemmer were interested in buying the shop. When Listug told his father about his plans, his father asked him if he or Schemmer knew how to build guitars. When his son said no, his father said that it might be a good idea to have a partner who knew how to build guitars. Then he asked his son who the best guitar builder at the shop was. When Listug told him that Bob Taylor was, his father told him that he would lend him the money if he could get Taylor to sign on.


They did convince him of course and the trio purchased the shop and renamed it Westland Music Company. They also decided to name their guitars Taylor's after the most talented guitar maker of the group, Bob Taylor. Listug was the businessman behind the operation while Taylor looked after the design and production.


Taylor and Listug bought out Schemmer in 1983 and ended up expanding their small shop into a major guitar manufacturing company. By 2008 the company had more than 300 employees working for them in two different plants. One in El Cajon, California where the major line of Taylor guitars are made and the other in Tecate, Mexico where the "Baby" and "Big Baby" models are made.


After 30 years of hard work and determination, the Taylor guitar is better than ever. There are many famous and talented musicians who play Taylor guitars but unlike some other guitar manufacturing companies, these artists don't get paid to endorse Taylor guitars. Also the company doesn't give away free guitars to gain exposure. So when you see an artist playing a Taylor guitar, they are doing it because they love the instrument.





Wednesday, 11 August 2010

History of Dean Guitars

Dean Guitars are a well-known company specialising in making electric guitars, primarily versions of Gibson's classic Modernistic series of guitars. As well as this Dean make high quality acoustic guitars and mandolins and banjos.


The company was founded in 1977 by Dean Zelinsky, after whom the company is named. He wanted to make better guitars for rock and metal musicians than existed when the company started. When the company first started the main models in the range were the V, a copy of Gibson's 1950s Flying V design, and the Z, a copy of the Gibson Explorer, the other guitar from the Gibson Modernistic series that was actually made and sold (there was a third guitar in the series, the Moderne, of which none were made, not even in prototype stage, until 1982). There was also a third guitar in Dean's range, the ML, which was a very well-executed blend of both the aforementioned Dean guitars - it consisted of the bottom half of a V and the top half of a Z. The guitars differed from Gibson's designs by having no scratchplate and Dean's trademark headstock, a larger-than-normal model with a V shape.


Early adopters of Dean guitars were Billy Gibbons and Dusty Hill of ZZ Top, who could often be seen onstage in the eighties with matching Dean bass and 6 string guitars.


The 1980s saw several new models added to the range to accompany the V, Z and ML models. These included the Cadillac from 1980, a Gibson Les Paul bottom half and a Dean Z top half that works better than may be expected, and the 1983 Bel Aire, a pointier and smaller-bodied version of the Fender Stratocaster with one humbucker and two single coil pickups, which means it could be a prototype for the up-and-coming superstrat movement of the 1980s, which favoured pointy Strat-shape guitars with a better choice of pickups and more playing options than Fender's original design.


Also introduced in the 1980s was the Baby series, consisting of downsized versions of the V, Z and ML models. These guitars had 3/4-sized bodies, but full-sized 22-fret necks. The ordinary Dean models, particularly the ML, had very large bodies which made it harder for younger players to use.


Dean have also exclusively designed some guitars for shred guitarist Michael Angelo Batio, who for a time held the record for fastest guitar player. He has also been voted the fastest guitarist in the world by Guitar World magazine. One such Dean custom guitar was a "quad guitar", with four necks arranged in an X shape. Dean also made a double guitar for Batio, which looks much like the top half of this quad guitar. As of 2008 Batio has a new signature model, the MAB-1 Armorflame, a superstrat-shaped guitar with a silver flame paint scheme.


Dean is perhaps best known for its work with the late Pantera guitarist "Dimebag" Darrell Abbott. Abbott was a huge fan of Dean's ML model, which was the only guitar he used when playing with Pantera and his last band, Damageplan. He had a signature ML made, with a dark blue paint job and lightning graphic. In 2003/4 Abbott worked with Dean to make a new model based on the ML. It was called the Razorback and resembled an ML with a much pointier body. A Razorback V model was also designed, a V-shaped guitar with these points on the body. Tragically, Abbott was shot dead in December 2004 while performing with his post-Pantera band Damageplan. He was killed by a mentally disturbed member of the audience, at the age of 38. The Razorback and Razorback V models were released in 2005 as a tribute to Abbott.


Dean now has a large range, including the ever-present V, Z and ML models, the Razorbacks, which are available in a wide variety of custom finishes, the Cadillac, the Hardtail double cutaway, the Les Paul-style Soltero, the SplitTail and the Vendetta. Dean also have a very wide range of artist signature models, including the MAB-1, the CBV and MKH for Corey Beaulieu and Matt Heafy of Trivium, the Dave Mustaine VMNT signature series of Vs including a twin-neck V, the Michael Schenker series of Vs and the Leslie West Soltero.



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